Stephen Wynn
Analyst · Stephen Grambling with Goldman Sachs
Two years of design development, lot of choices, we finally settled the golf course for the sake of the golfers, [bows] out on December 22nd, earth moving, tree moving and I guess you could call it construction of the buildings begins the day after New Year's on January 3rd, I think it is on Tuesday this year. And we're moving trees and doing the grading of the property so that we can get started with the foundation on the 450,000 odd feet of exhibit space. And then when we get finished with the convention of the jewelry show in June, or the end of May we will be demolishing the North Villas where the 1,500 room high rise is going to go, and the casino and the restaurants and the notion, this lagoon is 1,600 feet long and 650 to 750 feet wide. And it's surrounded by a boardwalk that's a mile long. And along this boardwalk on the north and the south side to the north which is towards Desert Inn Road. Just for those of you who are familiar with this building, when you're in the Wynn Hotel and you look at the golf course you're looking from west to east. The strip is the west, Desert Inn Road is north, Sands Road is south and Paradise Road is the eastern boundary of our property. The lake goes from just past the Fairway Villas, the lake goes 1,600 feet to the east and it has an irregular shape. It has the first seven to nine acres is waisted like an hourglass from 600 or 700 feet down to 250, there's a pavilion on the south where all the big convention building is for outdoor events that's over 30,000 feet with a roof and columns although it's open to the outside air. That's an outside, in addition to 450,000 that 30,000 feet is an outside pavilion because we have a lot of events that want outdoors. And opposing the pavilion is another little promontory that comes out, that's a carousel that's a 103 feet in diameter and the horses go and you go on this carousel by walking on the -- from the boardwalk out on a finger dock. And you can step on to the carousel on a 20 foot wide finger and the carousel goes around and there are booths, you know the pollen booths alternating with horses going up and down. There're two rows of those and the center is a bar and 330 degrees of this carousel are out in the water, this bar rotates with the music and as a classic carousel and it poses with this beautiful lit roof, the pavilion on the other side. And then there are a number of other things that we call in "midway". We have decided to take the theme of carnival and turn it on its edge and make a series of attractions and interactive experiences that in some ways have their roots in what all of us grew up with carnivals, but are not really that, they're far more. For example, the notion of bumper cars, remember that when you were a kid. Imagine that there are a whole lineup of bumper cars like in a pit in the Indianapolis. You get into the bumper car, but the entire skin is LED lights that are controlled by a system that is linked through contact with the car. So that -- and then we have this rally every 10 or 15 minutes. And you go around and around in these cars and if you touch another car it triggers an enormous audio response and an electrical response. So all of these cars are flashing and exploding in color and making crash and explosive noises. Now you go around this oval, and if you win, you get a price. But there are three Keystone Cups that have their bumper cars, which are dressed up like police cars with flashing red lights and they are in costume. And if you get in the lead, they smash into you and cause tremendous crashes. So in order to win the rally, you have to overcome our policemen and our traffic cops. Anyway, it's bedlam in audio visual interaction. Now I give you that one example and there are a number of others. Because it's the notion of carnival, but also we've taken the word carnival and we have put an E on the end as they do in Rio de Janeiro and its Carnivale sort of high [saluting] way of saying that. Because every night at the far eastern end on the southern eastern end there is a ramp that goes to a building of 40,000 odd feet that is our housing for our floats. And we have taking the notion of Carnivale and Rio and with the help of a number of wonderful consultants and collaborators like Michael Curry, who did the puppets for Lion King and has done work for us in Macau with our Golden Tree, the Lake of Dreams here. We have these floats, these 10 or 12 floats that come out in an audio visual parade every night right after dark. And that parade is a musical and visual extravaganza, but it's not the Rose Bowl parade. It's a much edgier kind of thing with huge spiders with spider webs and King Kong and the Devil and these things are 25 or 30 feet tall and they're animated. But what's wonderful is that people 10 or 12 people can pay and be part of that parade and get on the floats. They're self-motivated floats. They can drive down the ramp with wheels and then they can work through the water with their propulsion system. But any way, there is a kind of a parade every night. There are zip lines and fireworks and a host of other things that populate the boardwalk. But it does leave 40 or 50 or 60 acres of undeveloped property at the far east and north towards the convention center for development in the future as we go forward with several applicants or possibilities that are already in negotiation with us. But Phase 1 of our convention center and our hotel and our casino and our restaurants and all that sort of thing that goes along with the full scale destination hotel. This building on the north, where the North Villas are now is a 47-story 1,500 room hotel, with a new room idea that we've come up with that I think is going to be very well received. And there are suites and there is villas, there is all kinds of that kind of stuff. And everything looks over the lake, and the boardwalk and everything is interactive. That's sort of the way it is. I think probably sometime this spring maybe I have another conference and show everybody the final model of what we'll be building at the time. It's taken us some months of delightful design development to work through and get to the options that would be easy to monetize. And it's like any other creative process. It's sequential and you'll get to the best part towards the end of the process. And we're happy with where we are, so we're ready to start building stuff. And we'll put budget numbers and all of that sort of thing on probably in the next 90 days. The Board of Directors is going to see it in a week. And all of us in management have signed up on it, so we're very happy. And we're ready to go on some of the buildings. As I say we've -- we're in final stages of getting our building permit to get going. We should be in hard construction by April, March or April I would say. After we move these trees and the earth -- the site Las Vegas is the whole valley here slopes from west to east downhill 1 foot per 100. So the strip is a 2,075 the Paradise Road is 2,045. You can't see a 1% drop, but its 30 feet down across the length of our golf course. You could see it if you go to Bellagio, you come into the backdoor of Bellagio on grade, but if you go to the nightclub they call Hyde, you can look down on the water and you could see that the strip is lower. So we had to pick a level that where we wouldn't have to bring in thousands of truckloads of dirt or take out thousands of truckloads of dirt which would then add to a lot of costs. And the water level is at elevation 2,060, the boardwalk is at 2,062. Wynn the hotel and Encore are at 2,086 because we have back of the house below the casino. So you'll be looking down on the boardwalk about 20 feet and that allows us to have boardwalk buildings that are below the casino level and below the hotel level. And I think that's probably enough information for now. It maybe was more than you wanted.