Thanks, Doug. On the upfront, look, I don't know that I've seen 50% increases in CPMs of a prior year upfront before. The CPMs are very high. But what we really have an advantage of is that the broadcasters have been getting $60 plus, and we've been getting less than half that. And now all of a sudden, instead of companies, we're booking -- we're really making progress in booking significant dollars in the 40s, high 40s, even $50. And part of that has to do with the fact that our share is going up. We have some hit shows whether it'd be mail on Discovery or whether it be shows like, like 90 Day Fiance, which is number one show on television. And we've started to get paid a lot more money for that. And so I think you will see our CPMs, I think, meaningfully better because we have a lot of headroom still to drive our CPM versus competitors that have been at a very high level. So I think we hit this upfront at a very good moment. In addition, we have now some scale inventory on discovery+, which is selling very well. And in the -- in that environment, then on Go, we don't have the disadvantage of it's -- a viewer is a viewer. So we don't have that inherent disadvantage versus the broadcasters. So we're getting paid on every sub. And we also have a very good demographic, which is generating dramatically higher CPMs than we're seeing in traditional. So overall, I think the advertising market, very, very strong, upfront coming up, feeling good about it. In terms of balancing, the idea that we have viewing subs on discovery+ spending over three hours. And that we have the highest ratings and that our churn is extremely low is telling us a lot about the quality of this product. But what's really interesting is that the top shows, our top original shows and top shows from our channels are only generating about 10% of the viewership. We have a very long tail library about the size of Netflix, and people are spending a lot of time with it. And a lot of times -- so we don't have like the one -- we don't have the one-hit show or the one-hit movie. But I think as a result of that, we're seeing much lower churn than our peers. And usage, that is a lot more. And that's generating real economics for us on the advertising side, which has surprised us, the kind of economics that we're getting. We will continue to experiment with how we move IP around. We have a lot of originals now on discovery+, and we have more coming. And we'll be doing that globally in addition to the local content that we have outside the U.S. JB, maybe you could speak to the balance as we look outside the U.S. for discovery+.