David Zaslav
Analyst · Morgan Stanley. Your line is now open
Good morning, everyone and thanks for joining us today. 2016 was a pivotal year for Discovery Communications. We reported record revenues, profit and free cash flow and took a number of important steps to ensure our continued success and growth in today’s rapidly evolving media and technology landscape. I will spend a few minutes detailing some of the year’s most important highlights and how they position us for the future before turning it over to Andy for a detailed review of our financials. First, let me start with an update on Eurosport and the Olympic Games, which as you know, are a key pillar of our international growth strategy. Starting January 1 and as we ramp up for the 2018 Winter Games in the Pyeongchang, South Korea, Eurosport is now the official home to the Olympics in Europe for the next four games. We will have an opportunity to reach over 740 million people. We will also be the exclusive home for the Olympic Games in Sweden and Norway, where winter sports are hugely important, and in Germany, the continent’s largest market. In all three markets, we will deliver the Olympic Games across all of our owned platforms and services, including free-to-air, pay-TV, digital and OTT. Many of you have had questions about our investment in the Olympics and other sports rights in Europe. Our strategy has been first, to assure that Eurosport will always be profitable. Second, to selectively increase investments, including around locally important sports rights, leverage these must-have popular sports to drive significant affiliate growth. And as affiliate growth continues to accelerate, ultimately, realize profit expansion. And I am pleased to say our strategy is showing strong progress. And as you look at the aggregate we spend on sports rights, it’s important to note that, over the last few years, we have paid only low to mid single-digit inflation on our sports rights as a whole. We have stayed clear, in most cases, of in-market football, where increases can be between 50% and 100%. In fact, I believe the high price of football across Europe has made all of our other sports rights more affordable for us. Eurosport helped us grow international affiliate revenues in 2016 by 10%. Our local, premium and exclusive sports rights drove Eurosport viewership up 23% in the fourth quarter and we recently had record ratings across all of Europe during the Australian Open, where we have exclusivity in the majority of our markets. With Eurosport leading the charge for our diversified and differentiated offering of about 10 channels per country, we expect our international affiliate growth to accelerate by at least a couple of 100 basis points in 2017, adding over $215 million in affiliate revenues, ex-FX, building off successful renewals with TDC, Telenor and Liberty Global, and most recently, Sky. While we never look forward to potential carriage standoff, the negotiation with Sky reaffirmed the strong value of our brand portfolio and the passion and engagement of our super fan communities. Our new agreement with Sky in the key UK and German markets includes new opportunities to launch new channels and services. So, we will be helped with more growth in the two biggest media markets in Europe in the years ahead. We will have more news to share in the coming weeks as we will be launching new services, including a second free-to-air channel in the UK, leveraging our strong existing IP to reach more viewers in the UK market, and the new free-to-air channel will make money for us this year. Another large potential growth opportunity for us is for Eurosport Player. The team is making great progress on our Sports Netflix strategy, which will use BAMTech’s best-in-class streaming video technology, allowing for enhanced feature functionality, variable pricing and gives us tremendous scale across the European continent. Our new team, under the leadership of Paul Guyardo, who built DirecTV’s NFL Sunday Ticket and Sports Packages business to an over $2 billion business, is currently pivoting the business away from a one-size-fits-all model. The team is building bottoms up, country by country, business plans with custom pricing and packaging, tailored to the rights we have in each market. Early results in testing various consumer packages are promising, including in the UK, where we have seen 150% increase in subscribers in the market. Of course, our world class content is only as good as viewers’ ability to see it. And in 2016, we continued to enhance our distribution reach to reach more viewers across more screens. Following our successful renewal with AT&T in July, we have no deals up in the U.S. in the near-term. As we look ahead, our strong affiliate deals in the U.S. and abroad, which represent half of our total revenues, provides a valuable growing foundation for our revenue base at a time when global advertising markets remain very difficult to predict. Paul is also leading our pivot to mobile and the drive to monetize our content across all platforms. We have been very pleased with the progress of our recently launched TV Everywhere GO family of apps. Today, GO, is available in more than 80% of U.S. pay-TV households, so to over 150 million people. And we have expanded our content portfolio to now showcase over 5,000 episodes. We are finding that GO is a great vehicle for reaching younger viewers with about 40% of our viewers ages 18 to 34, averaging 1-hour length of tune-in. With GO now super serving super fans and gaining momentum with viewers and younger viewers, we are undoubtedly directly connecting to our viewers and fortifying the pay-TV ecosystem, while achieving premium CPMs. In the first quarter, our GO apps will contribute over 1 point of U.S. advertising growth to the bottom line. And its contribution is trending to increase to 2% by the end of the year. I am very confident in our ability to continue monetizing this important and growing platform. Second, our original non-linear brands took an important step forward with our recent joint venture and commercial partnership with Group Nine, home to leading short-form and mobile first brands, including Now This, the number one news publisher on Facebook, Thrillist and The Dodo, with over 4 billion monthly streams across Facebook and all platforms in January. While our partnership is still in its early days, we are already working together to sell our Group Nine brands in conjunction with our GO apps and our linear brands to deliver a true 360-degree solution that targets a younger audience to our advertisers. We are excited for the opportunity to further attract and monetize younger audiences across social media and short-form video. Third, in niche categories where we have a dominant consumer and brand advantage, such as ID and Turbo Velocity, we see huge potential to expand these genres on and off the traditional TV screen, such as through dedicated digital only content verticals, SVOD channels and through partnerships such as our recent agreement with Amazon. In mid-November, we launched our first dedicated Amazon SVOD channel. True crime files by our ID is already seeing strong success. In just 2.5 months, we are already seeing 10,000 new net subscribers per month paying $4 a month. This is just the first of several niche verticals we have planned to introduce as we continue to monetize our library content on a direct-to-consumer basis. Lastly, we are making real strides internationally with Discovery Kids Play, our TV Everywhere product in Latin America, which is now running with 24 providers in 12 countries. More broadly, our international business showed strong momentum with viewers during 2016. Our international portfolio recorded its highest international delivery yet, with year-over-year audience increase of 3%. ID and Turbo saw a strong double-digit viewership gains in the fourth quarter and Discovery Kids reported its highest audience delivery ever across the Latin America region. Additionally, in the Nordics, where we have noted challenges before due to rapidly changing viewer habits and tastes, we now have a new management team in place that is rethinking the way we operate in that region. They are laser-focused on rightsizing the cost structure and restructuring the content portfolio. In the fourth quarter, we wrote down over $20 million of content that wasn’t working and that the team looks to pivot away from an over-reliance on U.S. studio content to more cost-efficient local programming, a model that has worked well in other international markets where we have big free to air general entertainment services. I will note that looking beyond SBS’ income statement impact, our initial $1.7 billion investment 4 years ago has already delivered over $0.5 billion in free cash flow, and we expect it to continue to be a strong free cash flow asset for us. Now while we have talked to all of you a lot lately about our international story, we are also able to report strong and steady growth in key areas in the United States and that all starts with our commitment to compelling, quality content. In the U.S., our biggest momentum story right now is TLC. TLC showed a very encouraging return to growth in the U.S. in the fourth quarter that continues into the current quarter. TLC ended January with its highest ratings in 3 years, with ratings up double-digits in the U.S. and also in many key international markets, including Germany, Chile and Mexico. Our growth in market share for women also includes our partnership with Oprah Winfrey, which continues to be a tremendous success with OWN posting its best year ever in 2016. With popular hits like the Haves and Have Nots and Greenleaf, OWN was once again the number one cable network for African-American women. Our third female flagship, Investigation Discovery, continues to have strong and steady growth. ID is now the number two pay-TV network in all day delivery in the U.S. with a strong and balanced delivery across daytime, prime and late-night. ID also shattered audience records in multiple markets internationally in the fourth quarter, including Brazil, Chile and the Netherlands. The female audience growth at TLC, ID and OWN serves as a great complement to our strong male brands and the packaging we can offer to advertisers and clients looking to find any demo and audience segment. The Discovery Channel finished 2016 as the number one non-sports cable network for men. And while we remain by and large focused on unscripted content and had strong performance across many franchises, we are having initial success around the world with our scripted tentpole strategy. Rich Ross and the team’s first big scripted project, Harley and the Davidsons, was the number one rated cable miniseries in more than 3.5 years in the U.S. and was a top premiere in many international markets, reaching more than 43 million viewers globally. And we are excited about a new scripted series to debut later this year titled, Manhunt, about the pursuit of Unabomber, Ted Kaczynski that has an all-star cast attached. As we look ahead, supported by brands and IP that truly matter to our super fans, we are simultaneously driving as much value as possible from our linear businesses while making smart digital and mobile investments. From Group Nine, to BAMTech Europe, to Discovery GO, we are excited about expanding our content across numerous platforms around the world. Lastly, as you well know, this is Andy Warren’s final call as CFO. A public thanks can’t do justice to Andy’s contribution over the last 5 years, but it’s a start. A big thank you to you, Andy, for being an essential part of the Discovery family all these years and for all the success you have helped us to achieve. Our new CFO, Gunnar Wiedenfels will be joining us April 1 from Germany’s ProSieben. Gunnar brings to Discovery expertise across multiple businesses, including digital and direct-to-consumer, where he was able to either build or enhance the ProSieben businesses in both those areas, as well as extensive knowledge of the European and international TV markets. Before joining ProSieben, Gunnar worked at McKinsey and was very instrumental in evaluating all of the European media markets. So we are looking forward to seeing Gunnar. We bid a fond farewell to Andy. The transition has been terrific. And so for the last time, here is Andy with more details on our financials.