Sure. Yeah. We've done a lot, Jason, on this front in terms of research and even just testing to better understand where the constraints are in terms of bringing people into our subscriptions. And on the discovery and control side, it's -- discovery, we talked a lot about, right? We have an incredible set of content. Our subscribers are very passionate about whatever it is, right? Their favorite music channel, whether it's TikTok or Beatles or even the Billy Joel Pop Up or the sports that Scott highlighted, we have such passion around the content we have, but people can't find it. And I've talked about this before, that the model that we've always had as you get into the car and you turn the dial, right? And we need to build an engagement platform and a set of products that facilitate discovery without having to do all of that work, just like other streaming products. And so, a lot of that is keyed on our improvements in recommendations, which is coming through in 360L slowly but surely, and we'll definitely have improvements across recommendations and our streaming apps, and that whole engine will go to support the suite of our products overall. So, discovery is key, because you get people into the content they love and then surround them with recommendations as to other content, they will also like, and Scott touched a lot on that. Control is not about a fully interactive music service, but also providing customers with better idea as to how you can control the content that we have. We do have channels where you can skip songs, for instance. And also, we'll have new features, which, again, we'll preview some of this next week. New features that allow customers who may have -- we believe, may have gotten to a point and listening to a certain channel where they want something new, and we'll be able to put them into something else that's very similar in an easier way. So, there is improved discovery and control in the products and pricing. This is really about making sure that we have a broad set of products at different price points or packages at different price points, and some of those will have reduced content to be able to attract younger consumers who may, in fact, look at us as a complementary product to a music on-demand service. We've always been complementary in some ways to consumers' music collections. And now oftentimes, consumers are using on-demand music to solve for that need. But our human-curated set of content, whether it's music or the broad set of non-music content we have is really critical to many of our subscribers and prospects who are looking for something else in audio to complement what they have on the music side.