As he silently walks from the stage. Here we go. Sam, as usual, a cogent and precise reporting of the factual events over the last quarter for Saga. Now, let's start to peel the onion a little bit. Despite the fact that it was another fine quarter with decent margins and profits, it was still not thrilling. I underscore the word thrilling. I wish that I can have the legendary announcer for the Lone Ranger, Fred Foy, here right now to do the open of the Lone Ranger. Set up. Sam, do you -- you do -- you don't know who Fred Foy is, but let me just tell you that if you go back 70 years in the radio, there was Fred Foy who was kind of -- I consider the god of announcers. Now this was back in the days when radio stations had studio announcers. And Fred Foy just had it. He had the gift. He had the gift of tone, the gift of message, the gift of pacing and he was [technical difficulty] I remember as a child, sometimes riding to work with my father to his automotive parts business, we would pass this studio, the WXYZ radio, which is about four miles where I'm sitting right now. They were on Jefferson Avenue. And I would look at this little Tudor building and know that in that building, they produced not only in the Lone Ranger but Sergeant Preston of the Yukon and The Green Hornet. So, Fred Foy was really, really great, and I'm going to do something and please don't look at me a little goofy. But I want do something that will tie it up. So, bear with me for a second. [video presentation] [technical difficulty] The point being here is that that's 70-plus years old. There are 108 million Americans over the age of 50. This is a forbidden category where the agencies never talk about the fact that there are 108 million people, 44%, of which work. And most of them can probably remember the Lone Ranger and can remember the voice of Fred Foy not knowing who he is. But understand the meaning, the thrill, the passion that existed with radio, which [technical difficulty] And the point is if it happened 70 years ago, it can happen today, and we can make it just as relevant as we did back then. With that many people with memories still after all these years. By the way, you can go online to just Google Fred Foy and there's a whole website dedicated to him with a lot of his other writings and other things that he voiced. It will be quite impressive on that. Let's -- now, we'll get into this. So, the quarter wasn't thrilling, notice how we tied that in. It wasn't bad but, please, no trumpets necessary. Remember back six months ago, we talked about what Saga anticipated for 2019. This to us was [technical difficulty] Our way of oversight is one of collaboration and understanding and a hard analysis for the term and the correct path of action. We'll get to the truth a little bit later and then we'll tie this in. But suffice it to say, we are still three months away from having most everything in place to deal with the new realities in radio. And so an interesting and challenging time. All precepts still hold true, but the radio industry cannot stand on ceremony and must both defend old premise [technical difficulty] to be able to enhance radio without destroying the core competency of what we do. What we do well and also works. So what are we doing? What are our goals? What are we changing? And how will this make us better, stronger, and grow the position of Saga and radio? [technical difficulty] and customer focus, and for all of the other attributes necessary for successful sales in the local direct. We'll do it right and it will pay rewards. On the other side, we recognize that national business has markedly changed. Now, we'll do something a little bit different here, but bear with me. Let me take a moment and read part of an article from Broadcasting & Cable Magazine. Though it deals with the TV industry, it has solid ramifications for radio as well. This is from the August 1st, 2019, Broadcasting & Cable [technical difficulty] indicating a desire to make the system work, but no one can ignore the dramatic changes in landscape. And unless your reps want to serve the new marketplace [technical difficulty] relationships with buyers. Buyers issue avail requests, listing all parameters from demographic targets to air dates and total budget. Account executives respond with a proposed cost per point in schedule. Buyers then negotiate with account executives until an agreement is reached. This is a passive system. Reps have no opportunity to influence client budgets or parameters. They're also competing with other reps over revenue share, which creates a commodity market. [technical difficulty] media and other competitors. Stations aren't left out. [technical difficulty] Agencies have different units for different media, technical buying systems are different, even different kinds of people to deal with. But these things are exactly why the rep business [technical difficulty] make more money. And by the way, how can they also change the way spot television is sold to be more efficient. Answering those questions and many others will provide a nucleus of a restructuring plan. Whatever the answer, continuing to try and survive in a shrinking marketplace is a losing proposition. If that happens, Gray and Tegna will not be the last announcement we'll hear. It does not have to be that way. The folks running rep firms are smart, experienced and what a success, but the clock is ticking and it's time to play offensive ball. I know it was a long article, but I wanted to read it because the similarities between broadcast television and broadcast radio are [technical difficulty] Finally, comes the issue of quality of creative radio ads. I'm a big believer in creative. It stimulates the mind and creates a brand and a call to action, just as we did with Fred Foy. I challenge other broadcasters to listen to the quality and observe the quantity of poorly produced and non-productive creative that are running on the radio stations. Many ads are inserted electronically without supervision or quality control. We are actually inviting our audience to leave -- I'm not making this up, we're inviting them to leave. Thus at Saga, we're stressing quality of message, frequency of message and proper presentation of radio respective clients. We're selling a relationship, a bonding and most importantly a partnership. We will prosper if you do, is our message to the client. Taking it a step further, a moment of advice to other broadcasters. Don't be afraid to tell clients that we are RADIO, all in caps. Tell the truth. Talk about radio not numbers or out-boarded concepts. Don't mask it. It's saddens me when a cohort says, "We're really excited about our podcast business," or, "We are specialists in digital and have our salespeople required [technical difficulty] transmitter in the sky heard they would be appalled [technical difficulty] not an accent on new media for small "r" for radio. We do have [technical difficulty] to be more productive without compromising our core. We will continue to go Saga when we see the opportunities that fit our defined criteria. [technical difficulty] And we'll continue to super-serve our communities so that the stickiness creates a strong bond between local radio and local audience and changing tenses. I won't disappoint because I love what I do. To me, I'm left with fond memories of the thrilling days of yesterday -- yesteryear and anticipate thrilling days of radio in the future. Sam, I heard somebody say that we have some audio issues. I hope not.