Come on, slowdown, boy. All right. Come on, let me go. All right, I thought you did an excellent job as usual in summing up our Q2. We're at 128 quarters since the start of Saga without any quarters of losses. As you've said, $57 million paid in dividends and $54 million of stock repurchased. Over twice amount of cash versus our debt on hand, not a bad story at all. We have no second (inaudible) radio stations if you need focus and attention, and we're working diligently on making the subtle necessary changes. Let's spend a few minutes on some bigger issues in the future. Acquisitions comes up usually in some of the questions, we'll see if we get Sam and tell me what the questions are, if there are any. And so let's spend a few minutes and discuss through something. Sam and I spent the last quarter evaluating four opportunities that we've discovered. Three, we visited with the owners or manager, and one, we discarded directly as its structure was not as envisioned. Of the remaining 3, 2 of them are ongoing discussions. And interesting opportunities presented - for those of you on the call, we'll voice it for you, you know that we do not purchase bunch of radio stations at one time. Every acquisition has been evaluated using our criteria and reviewing local metrics and analysis, that's how we get to where we are. There is not rapid and dangerous growth, and there is no assurance that we have that to even the deals we're working at now will come a fruition, but it is our job to find ways to grow the company in a measured sense with quality products and stations that we bring online. So we are continuing to do that, and that's part of our daily plan. So let's take a couple of minutes here. I mean, I was thinking about this earlier this morning and talk about straight (inaudible) history. I know that if I were you listening your call is you don't want to hear how station and x market is doing or why market is doing and what's going on in there. That's the usual kind of minutiae that people talk about, but let's talk about the state of the industry. It's a good. Actually, it's very good. And from a listener perspective, let me just change that, 93% of the U.S. was [in story], which we give her that figure, hammered into your brain, time after time, week after week. The figure stays the same, which is great. I mean, for years now, it's been 93%, which means we are not a declining medium, and it's necessary to note that. I think and I'm sure that magazines and newspapers would love to give us the term of 93% of Americans read magazines and newspapers in a weekly basis. Now the sheen actually is finally beginning to come off on Digital, and we're seeing certain things that are happening on that. Let me tell you my own story. I like Brooks Brothers Board Shorts, okay? My wife refers to me as short-aholic. I just have - if you have the dictionary, buying shorts is not a problem. And I like Brooks Brothers. I'm a good and loyal customer to their shorts, I am - shhh, quietly said online, but I do. And what I've noticed over the last number of months is I'm really kind of angry. Actually, they're pressing my hot buttons because it seems to me that they're following me around. Every web page that I go to, to look at something, in the corner of my eye, I see a Brooks Brothers ad. I go on to the next website and suddenly, pop, there goes a Brooks Brothers ad. I go on somewhere totally different when relating to radio, and then pop, a Brooks Brothers ad. They're following me around and it creeps me out. They're stalking me. And I'm sure you know what I'm talking about, and I'm sure you recognize that this is what is happening and this is beginning to the trouble people. They're feeling a little paranoid about, you were saying, the websites. That, coupled with the fact that Facebook research, has shown that there is only a 2% effective retention rate on viewership of digital postings. People actually have trained their eyes not to see or notice a display - digital display. I know that I do that now. I just don't look at it. I don't even think about it. It's there, but it doesn't attract my attention. That's a problem that is starting in digital. Now what's radio doing with this opportunity? Well, unfortunately, not much. Without naming companies, some are delaying in the wrong way. What we've noticed, commercial stop sets are creeping up to unlistenable levels with a number of commercials at a stop set, and I'm talking 5, 10, 15s, 30s and 60s, sometimes we're pushing up to 25 units a set. That's unconscionable. Now I understand what's happening is when rates are driven down, broadcasters attempt to make this up in volume, and that's an awfully and poor way to do business. So more and more priceless work sometimes in manufacturing, but not in radio. At Saga, we do review our commercial policies, and in fact, after this call, I go into a meeting with the - with audit as we are reviewing physically the bio and the length of each of our radio station commercial stops, that's the way to review of recent prime daily logs. There has to be quality control on our part, and this is something that the industry really needs to push forward or applying theirselves in a declining mode. And this message has to get out that there is concern and not just from my voice, but from other voices recognizing that they are tampering with a very special franchise, and that is radio. There has to be quality control, as I said. It comes two ways, length and content. Last week, I was talking with Jerry Lee, most of you are in the call probably don't know Jerry, but he is legendary in radio broadcasting for his attention to detail. He had one radio station, WBEB in Philadelphia, and Jerry was a maniac about control of commercial lengths and control of commercial quality. And when we spoke last week, there were two takeaways. One in [snapshot] length, which was beginning to bother him quite a bit, the same as it bothers me, and the other was on commercial content. And Jerry told me a story where he actually in his radio stations has outside company that listens to and rates every commercial that's played in terms of its effectiveness and its retentive value. And so we did an interesting experiment, we went to Chicago and took the top 50 advertisers in Chicago, and had this company reviewed the commercials that we're running on Chicago radio stations. 71% of them did not have retentive value, and that's just something right there that we really have to as broadcasters think, especially in creative. And when we go on out and when the creative that we run from the agencies or the creative that we create ourselves, it has to be compelling and sonically resonate with the station. We have this happened in broadcasting. It's using one commercial to run on all of e different formats we have in one market. One size does not fit all, it has to be tailored for the individual market. In fact, I'm kind of known in this company here for having an occasion. I'm trying to tamper myself on this. I'm calling a manager station and say, would you go to this client and tell them we have to change this commercial because it doesn't fit. It's destroying the ambience of the radio station, it's destroying his image, and this is something that we, as broadcasters, have to do a better job in our commercial creative endeavors, both working with agencies as our partners and also working with our clients, our direct retail clients and the creative that we create for them. That's part of the thing that keeps the brilliance in the sheen on radio is the quality of what we do. All right, I do apologize, I'm running a little long here and getting into a little editorial policy and my passion is slipping in. I needed to share that because we're really kind of proud of what we do here at Saga in keeping radio alive and viable, both as a community service and a viable advertising medium. I guarantee we'll continue to do what we do best, and I invite everybody on the call. Usually, I say, if you're in a market, stop by and visit our station and see it. Now I'm asking any of you to listen to one of our Saga radio stations. And if you hear something you don't like, let us know. We'll talk about it, because it's feedback from listeners that we depend on to mirror the image of the communities we're in. So I need your help, too, and I'm asking for it. Sam, I don't know if we have any questions that came in here or not, but if we do...