Just, like, doesn't look like a furniture store at all to anybody. Right? You you actually, yeah, see yeah. We've now own two copies of the architectura. You know, they're the 10 books on architecture, where the, you know, first modern printing were in 1521, and we've got a one in in in French. And we have three iconic French architects, Delorem, Hausman, and Lucie the third. And and then we've got Vitruvius, da Vinci, and, Ladio. You know, displayed with bust and historic books and so on and so forth. And it's something you've never seen anywhere. Like, know, I've never even really seen one. But we built our first one in because there was a library there, and it came up with the idea, and and we created something, I think, really meaningful. And I remember telling the team, you know, the night before we opened, I yeah. We were in in the in the architecture design library. I said, this might be the most important work we did here. And, you know, because it really communicates our truth, and why we do this and what we believe in. And you know, so now that we've went back and we've we've now you're gonna walk into the entry of Milan, which kinda looks like a lobby of the building. Yeah. It look beautiful, but we didn't know what to do, like, a couple couches and a couple chandeliers. And I didn't really like, you you might have, like, interact with the first person and go, oh, excuse me, but I don't like, you know, is this a condominium building? Is this the the you know, because it it doesn't look like a store. If you walk in and you immediately look through it's kinda loggia into a backyard and yeah, and you have to kinda go up and left left and right. It doesn't have the branch staircase, except for that goes down underground. If we did our first underground restaurant. Like, everybody's gonna go, oh, we have a rooftop restaurant on this side. So that's not something we you know, Now we have a restaurant that's underground. It's got a, you know, skylight in the middle middle of the park, but we're putting you know, a architecture design library now in the entry, and all of a sudden, you you're gonna kinda go, like, who are these people? Like, look at this. Vitruvius and Da Vinci and, you know, Palladio and Scamozzi and Alberti and, you know, all the Italian iconic architects that, know, shaped the way that that the world was designed and built, you know, very early on. You know, that's gonna come to life there. We're gonna have a world of our age in Milan on the pop in a in a place in a space that we probably wouldn't have done anything with. It's kind of like a I don't know, an attic. You know? But the team reconcepted it as this incredible lounge, and and I think it's gonna be an iconic place that'll you know, help people understand who we are and what we believe in and and and also, these are great spaces that we can rent out and do events in that bring the right people into our galleries. And, you know, we're we're trying to test the event business because we've got these incredible spaces and you know, I've said no for I don't know how many years now. Fifteen, twenty I said my my line is always you know, our our galleries are our homes, and we don't rent our homes. You know? I I turned down Oscar parties and Grammy's parties, you know, like, top artists and and everything. And and I thought, we finally did an event. We did, you know, I go to a lot of Warriors games, and I'm friends with Joe Lakup and Nicole Lakup. You know, and Peter Goover, you know, the artist of the warriors. And you know, they they hosted the end NBA All Stars, and and they wanted to use our San Francisco. To do the owners, you know, the owners party, the opening party for the NBA star weekend, and we did it. And and we just got tremendous know, response and all the right people there. You know, it made us think like well, maybe we should, you know, for the right you know, to track the right clientele. Like, our know, we have such incredible spaces. So you know, so we we and and Tara so far, like, it's like, right away, Chanel wanted to take the world of our age, you know, to hold the dinner and we've been contacting out about, like, can so and so do their fashion show here? You know? And take over your gallery for the evening? And yeah. And so I think you know, we're learning about know, this idea of, like, we're these iconic spaces and ability to actually we have these unique you know, unique architectural masterpieces and the ability to bring the right people, you know, because we have the right place. You know, and I think it's even more important. And if everybody thinks, like, everything's moving online, like, I think people are dying for experiences. They're dying for authentic connections, not only with people, but with places, you know, and with history and with beauty and with food and you know, like, I mean, how many nights can you order DoorDash or Grubhub? I mean, I love I love the services when I have no time. I mean, and I, you know, he wanted to have some delivered. But don't know about anybody else on the phone, but I'd much rather go somewhere and you know, see people and feel like I'm somewhere and connected. You know? And and I think you know, that's why people still you know, aggregate and aggregate. And, you know, they may not go to movie theaters so much anymore because you know, that experience is you know, the not as unique and differentiated and, you know, you know, maybe we don't wanna be in a place where it's coughing behind you and so on and so forth. So that that one I I get. But I I just think the places that we're building people like to see, and they like to be there. You know? They they there's not a lot of places that are public like ours that you can get a meal in and experience. So you know, we're we're learning in Paris. You know, we're having all these people coming from off the board going, you know, seeing it and we're we're thinking about it like that. We're out there. We have have more people fluent in more languages. We need to ramp the design teams faster. Our design team in Paris kinda get overwhelmed. Like, we had no idea. That we'd have the traffic we got into Paris. Like, it was just so many people that came in, and we were just overwhelmed. I mean and and you know, even you know, finding out how early you have to hire people because people keep long you know, tenures. They can't just you know, give a two week notice and come to work for you. You know, we we kinda got behind in hiring for the restaurants and, like, we were behind. Had a fly people from America to kinda help you know, run the restaurant and cover the shifts and you know, they didn't speak French and know, that that was important. You know, that yeah. You know, there's just so so many things we're learning, you know, especially bringing hospitality into the high volume space. So but but there's just a little about the build you know, I I just did my own little math, and I was trying to understand, you know, got the try try to isolate the hospitality business because the hospitality business lost you know, 25% of its fees. After the first couple of months. And expect that to be a little off, and it's only a tiny bit off. You know, with all the seats we've launched. And the and the highest productive seats. So but we're thinking that, yes, we we might be able to tint that rooftop and actually do events there. Maybe make bring in, yeah, just as many people, if not more, because they only see 40 like, 44 people max there. But if the know, just about the staffing, design, like, we're we're we're we're learning learning learning a ton. And know, we're way ahead of we've done you know, team sent some incredible recaps and you know, learnings and We're gonna be so much more prepared and so much more efficient But the bills are are really interesting. So the, you know, the math I was looking at know, I kinda looked at the first eight weeks because, well, September was a five week month. We didn't we lost you know, it didn't open the first week, I think, on the fifth, which is you know, you you know, it's kind of a day, and then the next week started. But and I kinda try to isolate this our business. If you when you open cold in a market like this, right, you you're you're not shipping to anyone here. You've got no revenues happening, and yeah, and and it's it's interesting what we're learning all around, but but this one with you know, high volume, high traffic, you know, high traffic iconic location, international people coming from all over the place, And the first eight weeks well, I looked at the first eight weeks, yeah. So I kinda got the four weeks of September that weeks of we're open in the weeks of October. And then looked at it in the next really I've almost six weeks. I had to estimate the last three days. Just to kinda since we haven't had the business. But but when you look at the demand on the core business, and we haven't seen ramps like this. The the six weeks the average per week is 62% higher than the first eight weeks. And the first eight weeks actually had more traffic as we I think we're you know, it's still the you know, like, the fall, and there was a lot of people in Paris. And, yeah, a lot of people coming in. We still had very good traffic. But you know, you can tell the team's starting to kinda get feet underneath them. We you know, started people are starting to kind of figure out who we are and, you know, I trust them. I kinda buy furniture from them. And we, you know, we have some people that know us because we're you know, they either lived in America or they travel internationally and they know us from America. But I didn't expect, like, the ramp on the core goods that because we open with such such good traffic, I I wouldn't have thought, you know, it'd be a sixty fifty two, 63% ramp weeks. So the other week so when you start to think about that and and how that might build, you know, I think it's gonna take a while to kinda really understand it. And as we, you know, we we gotta get our arms around it. It's divine opportunity. There's I mean, when you look at all the places we're doing work, and you think, oh, man, our designers are gonna have to fly here and fly there, and, you know, and then and our customers pay for that. Like, we've been flying people from America to you know, all the major cities in the world, so many of the major cities. You know, we've had you know, customers flying our people to to Sydney, Australia, to Melbourne, to Shanghai, to, you know, all over Italy. I mean, I I can't say. It's almost every country. But you know Middle East. Yeah. Middle East. You know? Yeah. We did. You know, for the let's see. The prince of Qatar. Right? Four homes on its compound, you know, and like, a $3,000,000 job or something. Like but we're doing jobs, like, hundreds of thousands into the millions, Like, we just got a famous building in New York. I can't can't talk about it. You know, to disclose it, but we're just we're doing a $3,000,000 design project in one of the most most famous mansion. In New York City and done another $1,800,000 project for someone I can't talk about. You know? Very famous. And, you know, just we're and that's why I think I made the point about the know, design firm. And so know, this you know, so much so much that we're learning about Europe and so much we're learning about you know, just the potential of our of our brand if it's evolved. So, you know, long rambling answer that you started with that You know? With the quest I could talk about Paris for a long time. Thank you, Gary. I'll actually pass it on. Thanks so much.