Thank you, Brian, and thank you all for joining us today. I'm Phil Rafnson, CEO of Moving iMage Technologies, or MiT for short. Like last quarter, today I'm going to spend my part providing an update on overall industry trends that we believe will drive the tremendous growth opportunity for MiT over the next few years, and then Joe will provide an overview of MiT's business and growth strategy. He will then turn the call over to our CFO, Mike Sherman, to discuss today's results followed by Q&A. MiT serves commercial cinema owners, stadiums, arenas and other live event venues and eSports. Today, most of our business is serving cinema owners and operators. In North America, there are approximately 40,000 screens, 18,000 of which are outside the top five circuits. While we work with majors, most of our business is with small to medium-sized operators. As you probably know, this industry has been hit hard by COVID during 2020 and the first half of 2021 with box office receipts declining from over $11 billion in 2019 to $2.1 billion in 2020. In the second half of 2021, the industry began to recover and that trend has continued into 2022 with many blockbusters having already been released and the year will likely finish strong with Black Panther, Black Adam and Avatar: The Way of Water. Momentum should continue into 2023 with an already exciting slate of releases expected, setting the backdrop for an even stronger year. As I discussed on past calls, there are additional tailwinds that we expect to benefit both the cinema and live venue industry. The first is related to government grants. As part of the CARES Act, nonpublicly traded live event operators were able to access over $16 billion of grants through the SBA. This program called the Shuttered Venue Operations Grant, or SVOG, to date has provided almost $14.6 billion in grants with over $2.5 billion going to cinema operators. This money is flowing, and this spending is kicking off a multiyear growth cycle. Next, we are in the early stages of a technology upgrade cycle, especially for laser projectors and servers. During the last upgrade cycle, we participated in approximately 17,000 cinema screens over nearly five years. So we believe there is a long runway ahead, and our first quarter saw some solid activity in this area. Finally, theater operators use their funds for operations and to proactively refurbish, upgrade and build new modern theaters to significantly enhance overall movie going experience. This includes adding amenities such as in-house bars and lounges, breweries, restaurants and in cinema dining, among others. In fact, dine-in cinemas are among the fastest-growing parts of the industry, and we are very well positioned with these circuits. So, how does MiT fit in? We are a technology and hardware designer and manufacturer, an integrator and distributor of third-party technologies and a project manager. We have strong, long-standing relationships with suppliers, key technology providers and customers, as well as architects and technical personnel, which help design in our products. Over 70% of our revenue comes from small to midsized cinema operators, which tend to be expanding more quickly than the big three with whom we also work. From a Prestige perspective, we have also installed over 40 in-home screening rooms for industry VIPs, which include senior industry executives, producers and directors. In conclusion, I'd like to thank our dedicated employees. Without them, we would not be in what I believe is the strongest position we've ever been in as a company from an operational, financial, product and competitive perspective. And for our existing and future shareholders, I feel your pain as the company's largest shareholder. The business and our stock are heading in the right direction, and we are working hard to bring new investors to the table. And when our blackout period is over, we expect to employ the prior authorized buyback. I'm excited about our strong growth perspective over the next several years as we strive to turn MiT into a $50-plus million company. Now I'll turn the call over to Joe. Joe?