Yu Gong
Analyst · Jefferies. Please ask your question
Hello, everyone. We recorded quarterly non-GAAP operating profit for the very first time. This demonstrates the effectiveness of our new strategy and execution. Last quarter, we announced that our goals for this year are to reach non-GAAP operating breakeven for the full-year of 2022 and to reach quarterly non-GAAP operating breakeven as early as possible. I’m very pleased to see our performance exceeded our goals. What are the driving forces on our path to profit? I would name four. First, the premium content. The debut of new content such as a top-notch dramas solidifies our market leadership and led to healthy growths of both subscriber base and the ARM. The influence of these new dramas was further elevated through our creative content marketing strategy. Meanwhile, the library content also played a crucial role. We used effective operations to drive traffic to our extensive library content and enhanced user stickiness. Secondly, refine our operations on content scheduling and promotions. Thirdly, increasing operation efficiency, which means delivering superior services based on an effective cost and expense control. Lastly, driving our sales performance through various initiatives to boost our monetization on membership and ad sales. With these four aspects, profitability is a natural result. Therefore, we believe the performance in the first quarter is replicable as we continue to execute this operational methodology in the future quarters. On premium content, we are confident about our future pipeline. On efficiency management, we will continue to focus on driving efficiency to -- by leveraging the power of technology while maintaining the current lean corporate structure. By using the same methodologies, we will continue to achieve desired results in the future. Now let’s go through the performance of our business segments in the first quarter of 2022. Let’s start with memberships. For the first quarter, we continued to deliver a solid membership performance. Membership revenue was RMB4.5 billion, up 4% annually and 9% sequentially. The average daily number of total subscribing members for Q1 was 101.4 million, a net addition of 4.4 million from the previous quarter. The monthly ARM was RMB14.69 during the quarter, up 8% annually and 4% sequentially. Q1 was the fifth consecutive quarter that we achieved 8% or above annual ARM growth. Our premium new content and our extensive library content were the main drivers behind our positive performance. Our values for members translate into higher member acquisition, retention and ARM. We expect to see solid membership revenue growth on year-over-year basis for the quarters down the road. Content is king.Among the new releases during the first quarter, A Lifelong Journey, Under the Skin, Life is A Long Quiet River were outperformers. A Lifelong Journey become a blockbuster acclaimed by the whole nation loved by the audience across all age groups and backgrounds. It tells a story of China transformation in the past 50 years from the perspective of ordinary people. We are happy to see A Lifelong Journey was able to achieve word-of-mouth popularity, social value, and commercial success. It also shows our deep understanding of the industry and the ability to balance our social obligation and the user appetite. Under the Skin is a detective drama focusing on social issues, it become a dark horse in market with very high user stickiness. Life is a Long Quiet River, an original drama that portrait the daily life and stories of Shanghai urban families also performed very well in terms of traffic and revenue. Its popularity index exceeded 9,200 at its peak. In addition, we are also seeing the sound long tail effect of premium content as they continue to generate solid viewership after series finales. One of our key strategy with popular IPs is serializing its production. The original light comedy Vocation of Love Season 2 is an example of our multi-season approach in which we develop new plot lines for additional seasons of our popular content. The revenue sharing drama Shining For One Thing also become a dark horse and set a new record for revenue sharing drama on our platform. To better connect with users, we also created distinctive brand for our featured vertical content categories, namely iQIYI Theaters. In the first quarter, we launched our third vertical content theater, Laugh On Theater, focusing on comedies genre, 2 titles were launched in Q1 and the third title to be released soon. These comedies are good leisure and entertainment choices and provide user a new outlet to relieve daily pressures. Now with Mist Theater, Sweet On Theater and Laugh On Theater, our platform successfully covered the three most loved genres by our core users, namely suspense, romance and comedy. Going forward, we will continue to explore other content genres under iQIYI Theaters that bring targeted and diversified experience to users. In summary, we attract users through premium new releases and retain users through our extensive and diversified library content. We employ various operational initiatives to increase user loyalty and brand awareness. All of this will contribute to a solid base of subscribers and lay a good foundation for future growth. We are pleased to see the value we provide to our users was widely recognized, which translated to greater monetization capability. Moving on to content. After explain on how we achieved our first quarter success. Next, how do we replicate our success in the future? We focus on systematic approach in building our content business from production to operations. Our goal is under the premise of maintaining iQIYI’s overall competitiveness and leadership, which means we would acquire the most appropriate content with optimal ROI and maximize monetization with a reasonable number of titles. As we continue to enhance our in-house production capabilities, enrich our premium content inventory and refine our content operations, we will be able to expand our advantage as an integrated platform and improve our overall efficiency across various aspects, including content production, content scheduling and promotion. Meanwhile, we utilized technology to further improve our production capability and increase our efficiency. Investment in content is our biggest organizational focus, which makes it the key in achieving our goal of optimizing cost and efficiency. We have placed stringent control over the full content production process from script development, preproduction to shooting and post production. We also emphasize efficiency in content production, content release, and fund utilization. As for our content reserves, we have dedicated ourselves in building our original content offering and enhancing production capability in the past few years. We have established one of the largest and the most professional team of producers in the industry. We also want to highlight that despite the recent resurgence of the COVID in some regions in China. We are relatively comfortable with our content reserve, especially in the core drama category as we have a diversified pipeline of dramas for this year benefited from our solid reserve of original content and the experiences gained from operating under COVID in the past two years. Therefore, we currently expect to see limited impact from COVID in our future drama pipelines. Looking ahead to the second quarter and the full-year 2022, our key focus is to improve the overall content quality. We will continue to introduce premium content to our users, increase the quality of our offering and leverage the platform’s advantage to build iQIYI’s content ecosystem. Meanwhile, we would enforce our brand awareness through making multi-season production for our long series and utilize our successful theater model to enforce our advantage in some vertical genres. Benefiting from our rich content reserve, we will be able to launch a series of titles in the second quarter. For dramas, the key titles we have released in Q2, include Left Right, My Sassy Princess, The Wind Flows from Longxi and Day Breaker all have been well received by users. For the rest of the second quarter, key dramas to be released include highly anticipated original titles, A Love Never Lost and Ordinary Greatness. The Lord of Losers, the third drama under the Laugh On Theater, will also be premiered. For this year’s Sweet On theater, 5 new series will be launched. For variety shows, we will launch the second season for last year’s hit show, The Detectives’ Adventures. For animation and children’s content, we will continue to launch new titles under our multi-season strategy. Also, we have prepared a rich and diversified slate of premium content for this year’s summer season covering all major genres that target different user cohorts. We continue to produce and release original movie to enrich our content ecosystem, Man On The Edge was released in theatres on April 15. And cumulative box office has surpassed RMB130 million. On April 1, we upgraded the online film distribution collaboration model with our partners, the revenue sharing model is now based on the user viewing time instead of video views in the past. Promotional resources will be allocated based on the audience participation and the content performance such as view time, membership conversion rates and user reviews. The new model enables high-quality films to stand out and may significantly improve our operational efficiency, providing a win-win solution for both producers and our platform. Now I’d like to quickly talk about our progress in IP development. Premium content also translates into additional monetization opportunities as we continue to push our strategy of building our IP franchise and increasing monetization capability. In last December, we launched the first title of the iQIYI Chinese Historic City Universe franchise, Feng Qi Luoyang, we have signed with over 20 partners to franchise this popular IP in various formats, such as toys, jewelry, apparel, food and beverages. Moving on to advertising. For Q1, the total advertising revenue declined both annually and sequentially due to the current macro headwinds, the soft ad demand negatively impacted our brand ad business to some extent. Despite the challenging macro environment, premium content continued to draw strong attraction from advertisers. For example, A Lifelong Journey and Life Is A Long Quiet River, both had very good advertising performance. The drama A Lifelong Journey itself attracted 25 advertisers to our platform. For Q1, the sequential growth of our performance ad business was benefited by our growth in ad inventory, but partially offset by the weak macro environment. iQIYI Lite was contributing to the increase in ad inventory. Its monthly average DAUs reached 5 million in Q1 and surpassed 5 million starting in April. Given the major monetization methods for iQIYI Lite is performance ads, it effectively supplemented our ad inventory and mitigated the adverse impact of the macro environment. In Q1, we upgraded our ad placement platform, which was widely adopted by advertisers. The new version is more user-friendly and increased monetization efficiency by nearly 20% compared to the previous version. The upgraded ad placement platform helped advertisers to cover more ad slots, get more exposure to their products and improve ROI by leveraging smart algorithm. Moving on to technology. Technology is fundamental to support our development. We continue to use AI technology to improve content production, efficiency and promote the industrialization of online video industry. Technology helps us to optimize cost, promote information security and copyright protection and improve the entertainment experience of users. In the first quarter, our proprietary AI dubbing technology, iQIYI dubbing was widely used in our film offerings. For our movie channel, more than 20 foreign movies used this technology to complete dubbing in Mandarin before launching on our platform, saving costs while increasing revenues for both new and library films. iQIYI dubbing was also used in our overseas business, for example, we launched a few films in Thailand using iQIYI dubbing that received a very strong user feedback and generated strong revenue performance. AI dubbing is effective in optimize costs and driving revenues for long-tail content. Technology also safeguards our system, architecture and provides data security and enable antipiracy protection of our platform. In the quarter, our proprietary digital rights management, DRM solution completed in the Farncombe Security Audit, which is recognized worldwide as an in-depth measure of a solution’s ability to protect premium content. So far, we are the only domestic streaming platform in Mainland China that completed such certification, reflecting our strong ability in digital media security protection. Moving on to our new business initiatives. We are also exploring growth opportunities through new business initiatives. We are delighted to see continued strong momentum for our overseas business and iQIYI Lite. For our overseas business, driven by our continued efforts in enhanced products and user experience, the membership revenue and advertising revenue for our overseas business, both recorded solid annual growth during the first quarter. iQIYI Lite is a great supplement to our main iQIYI app and continue to achieve strong performance across various operating metrics in the quarter. iQIYI Lite is mainly focused on the performance ad monetization model, which is significantly different from subscription centered monetization model of our main app. Overall, the user demographics, monetization model and content consumption behavior on iQIYI Lite are largely different from our main app. The user overlap between iQIYI Lite and the main app further declined in the quarter. The DAU overlap was around 4% in March. Meanwhile, we observed that the consumption of library content on iQIYI Lite was significantly higher than the main app largely enhanced realization of long-tail library value. We believe iQIYI Lite has ample potential for growth in both user scale and monetization abilities. In summary, Q1 was a breakthrough quarter for the company. We delivered what we have promised, reaching non-GAAP operating profit earlier than anticipated. This demonstrated our outstanding execution, professionalism and strong unity of everyone within iQIYI. The encouraging first quarter results also demonstrated that the long-form video industry can generate sustainable operating profit. We have a clear value proposition for our users. Not only that, we offer the latest premium content available in the market. We also have extensive and diversified content library that every users can find his or her favorite, this value proposition is unique and the happiness we offer to users far exceeds the price we demand. Looking forward, the pandemic situation in Shanghai and Beijing to do create additional challenge and the time for full recovery remains unknown as of today which could impact our Q2 performance. Regardless, we still strive to deliver another quarter of non-GAAP operating breakeven after the first quarter success. We would like to wrap up by thanking all our stakeholders, including our shareholders, business partners and employees who share our belief in the positive prospect of long-form video -- we understand that many of our stakeholders follow our business development closely and pay close attention on areas such as whether blockbuster content can be delivered every quarter or if our business would be impacted by some short-term market headwinds. Honestly, we would not worry about what will change. We focus on what will not change in the next five years or 10 years, and we will invest heavily into these areas to meet user demands, that is possessing a collection of highly differentiated, premium content and highly effective platform that delivers sustainable value to our users. Meanwhile, we will continue to seek new opportunities through innovation and expand our values in the ever-changing market. With that, I’ll hand over to Wang Jun to go soon our financials.