Next question will come from the line of Eric Wold of B. Riley. Please go ahead.
Eric Wold - B. Riley & Co. LLC: Hi, good morning. Two questions, I guess. One, I guess kind of both related, as you think about – as you move into some of these newer markets like India and others or even ramp expansion into markets where you've had a kind of a minimal presence. How should we think about the education process with consumers? Clearly, the exhibitors themselves take an assistance don't need to be educated in the value of IMAX, but how involved is IMAX or the studios or exhibitors in educating consumers into IMAX format?
Richard L. Gelfond - Chief Executive Officer & Director: Well, Eric, typically you do have an additional marketing to make that happen. But I've been very shocked sort of, and that's not an overstatement, because we just opened two theaters in the last year; one in Sweden and one in Copenhagen, Denmark. And the one in Sweden, since November is like $4 million or $5 million and the one in Copenhagen in its first year has done over $4 million, and those are markets where we didn't have a theater and didn't have a brand presence. So, I think, increasingly because of social media and globalization, even though we don't necessarily have a theater in the market, we clearly have a reputation and a name in the market. And as I said, what your question would have been kind of one for more concern for me, but you look at, another one would be in the Middle East, in Dubai. We have a theater that's tracking towards four million or five million people, just opened in the last year. So, the recognition of the brand in territories we're not seems to be really high, particularly if the demographic works. And I don't think we necessarily need to do a lot of education.
Eric Wold - B. Riley & Co. LLC: Thank you. And then just a follow-up on previous question on India, assuming that ramp there continues, kind of what level of penetration do you think would be necessary to be able to more effectively monetize or effectively monetize, your local language, Bollywood films or local language films and markets showing what they can do in China?
Richard L. Gelfond - Chief Executive Officer & Director: I think you kind of need about 40 theaters or 50 theaters before you reach sort of a critical mass and you can make a more concerted push into local language films. I think before we get to there, now including backlog, we're around 20 theaters. I think you'll see us do one or two just to test it out. Not really lose money, but I don't think you make money until you get to 40 theaters or 50 theaters.
Eric Wold - B. Riley & Co. LLC: Perfect. Thanks, Rich.