Greg Zimmerman
Analyst · KeyBanc. Your line is open
Thanks, Greg. At the end of the third quarter, our total investments were approximately $6.5 billion with 358 properties in service and 96% occupied. During the quarter, our investment spending was $39.3 million, bringing the year-to-date total through September 30, to $107.9 million in each case entirely in our experiential portfolio. The spending included an acquisition, built-to-suit development and redevelopment projects. Our experiential portfolio comprises 284 properties with 43 operators and accounts for 91% of our total investments or approximately $5.9 billion of the $6.5 billion. And at the end of the quarter it was 95% occupied. Our education portfolio comprises 74 properties with eight operators and at the end of the quarter it was 100% occupied. Now, I'll update you on the operating status of our tenants. Q3 theater headlines were extremely positive. Q3 total box office was $1.37 billion. Major films were released, customers returned to theaters and box office results steadily improved. The first $100 million three day weekend in the pandemic era wasn’t until July. Since then, North American box office has exceeded $100 million for three day weekend five times. Shang-Chi and the Legend of the Ten Rings put an exclamation point on the quarter establishing an all time, four days Labor Day box office record at $94.7 million. Venom: Let There Be Carnage delivered the highest grossing opening three day weekend during the pandemic era at $90 million. Box office momentum continues as we roll into Q4. North American box office through this past weekend is $3 billion, compared to $2.1 billion for all of 2020. We believe Q4 performance will deliver around $2 billion. An instructive metric to evaluate box office recovery is to compare 2021 monthly grosses to the same month in 2019, which adjust for the seasonality of the film schedule. Q2 box office gross was around 25% of 2019. Since then, box office has consistently improved month-over-month, when compared to the 2019 comparable period. July was at 45%, August at 50%, September at 53% and when final October numbers are in, we expect grosses will exceed $622 million or around 80% of 2019, the highest monthly gross since February 2020. Additionally, the number of films released to exhibition is steadily increasing and should drive continued box office recovery. During 2018 and 2019, there were around 560 new titles released at theatrical exhibition annually. In 2020, they were 327, a 42% decrease. Through September 30, there have been 285. We anticipate that number will grow to around 400 by the end of the year. The release cadence will continue to grow in 2022. Increased product will drive continued box office recovery. The remaining Q4 film slate is strong, Eternals, Ghostbusters Afterlife, West Side Story, Spiderman: No Way Home, The Kings Man, and Matrix Resurrections. The 2022 film slate is compelling with the potential for 20 title to gross $100 million or more, up approximately 50% from 2021 anchored by two Tom Cruise pictures, Top Gun: Maverick and Mission Impossible 7, three Marvel Universe films and several highly anticipated sequels including Aquaman 2, Avatar 2, John Wick 4, The Batman, and Jurassic World. Finally, the impact of premium video on-demand and streaming on the theatrical window and exhibition and theatrical exhibition is clear. After the day and date hybrid release of Black Widow, Disney announced the remainder of its 2021 film slate will have an exclusive theatrical release. Warner Brothers had already committed to an exclusive theatrical release for 2022. The results of day and date premium video on-demand and streaming demonstrated the best way for studios to maximize revenue is through a multi-pronged approach anchored by the theatrical exhibition in an exclusive window. The exclusive theatrical window is generally settling around 45 days with some variability for individual titles and exhibitors. Historically, the majority of box office gross occurred in the first 45 days. The reduction of the exclusive theatrical window will lead to more streaming services releasing more films theatrically. More content in theaters is a positive for consumers. This is already happening. In May, Netflix released Army of the Dead theatrically in select theaters including 600 cinema theaters for one week prior to its availability on Netflix. Netflix is continuing its experimentation. In Q4, it will release ten titles to theatrical exhibition before release to streaming. It won’t be a 45 day window, but Netflix understands the importance of theatrical release for both revenue generation and word of mouth marketing. This is reinforced by the recent announcement that Netflix will operate the Bay Theater in Pacific Palisades. Turning now to an update on our other major customer groups. We see continued positive performance across all segments of our drive to value-oriented destinations. The fewer the COVID restrictions, the better the performance. Across all segments, our customers found many ways to improve their profitability despite fewer guests. Consumers want to engage in social activities. We are seeing excellent performance across Eat & Play throughout the country with attendance approaching or exceeding 2019 levels and continued margin improvement and profitability. We saw recovering demand across our attractions in cultural holdings throughout the summer. Attractions with fewer COVID restrictions performed well and several were significantly ahead of 2019 levels. Others were negatively impacted by ongoing COVID restrictions with performance improving as restrictions were relaxed and eliminated and the impact of fewer group and school events. We anticipate continued growth in demand in 2022, assuming no material COVID restrictions. There is high demand across our experiential lodging portfolio with strong occupancy and ADR growth. The Cartwright Resort and Indoor Waterpark reopened on July 1st and ramped up through the summer. We are pleased with our progress. The camp Margaritaville Nashville Hotel in Downtown Nashville is benefiting from Nashville’s rebound to its typical diverse and robust event calendar including live performances at the Ryman Auditorium, Tennessee Tightens and Nashville Predators games and an Indycar Race. The RV portion of our camp Margaritaville RV Resort and Lodge in Pigeon Forge Tennessee opened in June. We saw strong demand through the summer and into the fall foliage season, which draws visitors to Great Smoky Mountains National Park, the most visited national park in the country with over 12 million visitors in 2020. The lodge will be completed in Q4. Despite the impact of reduced cruise business on Alaska, Alyeska Resort benefited from increased air lift and ground tours to Alaska and is performing well. Our Nordics Spa will open Q4. In St. Petersburg, our repositioned Bellwether Beach Resort is completely renovated with all rooms and venues open driving ADR increases. We are completing the second phase of the redevelopment at the beach counter. Heading into winter, we expect strong demand for our drive to value-oriented ski destinations as evidenced by Vail’s increased epic pass sales for 2021-2022. Vail’s recently announced $320 million capital plan will improve four of our properties. Our education portfolio continues to perform well. After a challenging 16 months, we are returning to growth and actively pursuing deals in all our experiential verticals other than theaters. In Q3, we acquired the Jellystone Park Camp-Resort in Warrens Wisconsin for $25.2 million in an unconsolidated joint venture, of which we own 95%. This iconic family camp ground, RV Park features numerous experiential amenities including a water park and a water slide, along with camp Margaritaville, the Jellystone acquisition demonstrates our belief in the growth opportunities in the experiential RV park space. The remainder of the quarterly investing spending was in built-to-suit development and redevelopment projects in our Eat & Play and experiential lodging categories. Our primary capital recycling focus remains on our vacant theaters and we are pleased with the progress. Since Q3, 2020, we’ve sold five vacant theaters for various uses including one that closed yesterday for approximately $6.8 million as light gain. We have five remaining vacant theaters, three are under executed contracts for sale and we are marketing the remaining two with multiple expressions of interest. In the third quarter, we also completed the sale of two land parcels. At the end of October, we sold our Wisp and Wintergreen Ski Resorts to our tenant for $48 million or about a 9% cash cap rate with a gain on sale of $15.4 million. This was a strategic decision to improve our portfolio and our credit profile. Located in Maryland in Virginia, they were the farthest south ski locations in our portfolio and other than Alyeska, they were our only ski resorts not operated by Vail. Finally, I want to update you on the status of our cash collections. Cash collections continue their upward trajectory. Tenants and borrowers paid 90% of contractual cash revenue for the third quarter. In addition, we collected a total of $11.3 million of deferred rent and interest during the quarter, as well as $5.3 million on a previously reserved note receivable. Through September 30, we have collected a total of $59.5 million of deferred rent and interest from accrual and cash basis customers. Mark will provide additional color on revenue recognition and cash collections for the third quarter and the remainder of the year. We are excited by the prospect of each metric approaching a 100% in the fourth quarter. I now it over to Mark for a discussion of the financials.