Thanks, Greg. At the end of the first quarter, our total investments were approximately $6.5 billion with 354 properties in service and 93% occupied. During the quarter, our investment spending was $52.1 million entirely in our experiential portfolio. The spending included build-to-suit development and redevelopment projects that were committed prior to the COVID-19 pandemic, as well as the acquisition of a newly constructed Topgolf facility in San Jose, California for $26.7 million, which was acquired primarily with cash received from Topgolf as payment of a portion of their deferred rent balance. Effectively, we acquired Topgolf San Jose using a portion of their deferred rent as currency, a creative and complimentary outcome for both sides. Our experiential portfolio comprises 280 properties with 42 operators is 93% occupied, and accounts for 91% of our total investments, or approximately $5.9 billion of the total $6.5 billion. We have four properties under development. Our education portfolio comprises 74 properties with eight operators, and at the end of the quarter was 100% occupied. Now I'll update you on the operating status of our tenants, our deferral agreements and rent payment timelines. 71% of our theaters were open as of April 30. Under Regal's announced reopening schedule, all of our Regal theaters will be opened by May 21st. And at that point, we anticipate 98% of our theaters will be open. [Indiscernible] theaters remain closed because of governmental orders. All four of our Canadian theaters are closed at least through May 20 due to governmental mandate, and our dine-in-theater in San Francisco is close until July because of local indoor dining restrictions. We have five vacant theaters, not operated by any of our major exhibitors, which we are re-leasing and seven close theaters which we are selling, six of which are under contract. Finally, we are continuing to operate two theaters through a third party manager, a former AMC in Columbus, Ohio, and the former Goodrich Savoy in Champagne, Illinois. April's box office performance exceeded industry expectations led by King Kong Vs Godzilla, Mortal Kombat and Demon Slayer. The outperformance of all three films drove box office to $189 million for April, a 66% increase from March's $ 113 million. The strong results from these three films show the consumer is eagerly embracing the opportunity to get back to the movies. We are particularly encouraged by these results given that most theaters are still operating under capacity restrictions, that Regal is still ramping up US openings and won't be fully open until late May, and that less than 20% of Canadian theaters are open. With increasing vaccinations, the approach of summer and easing restrictions, the primary challenge for exhibitors now is a lack of film supply. The remaining film slate of high quality tentpole films lines up nicely to drive increasing consumer demand through 2021. Beginning at Memorial Day with A Quiet Part II and following with Venom: Let There Be Carnage, June, Carola, Fast and Furious 9, Black Widow, Suicide Squad, Shang Chi and The Legend of the Eternals, Ghostbusters: Afterlife, Top Gun, Maverick, Spider Man No Way Home, The King's Man and Matrix 4. Studios content providers and the consumer all value the big screen experience. April's performance bears that out. I want to briefly address lessons learned over the past year. The Studio's decision to delay the release of the vast majority of their tentpole titles until theaters reopens in 2021 and 2022 is the best evidence of their commitment to the exhibition economic model and the importance of the theatrical window as a critical revenue driver for the studios and content providers. COVID-19 forced studios and exhibitors to experiment, studios understandably evaluated alternative content delivery options, including Premium Video on Demand, PVOD, Subscription Video on Demand, SVOD, hybrid models of theatrical release mixed with PVOD, or SVOD and selling movies to streaming services. We believe the best indicator of the results of this experimentation is that the overwhelming majority of tentpole films scheduled for theatrical release, pre COVID-19 will be released theatrically in 2021 or 2022. It made economic sense for the studios to wait until theaters were permitted to reopen throughout the US and they did. Studios and content providers do not consider PVOD, SVOD and other forms of at home viewing as replacements for theatrical exhibition. Consumer subscribes the streaming services for all you can eat buffet content, and generally aren't interested in paying an up-charge for an individual release. The relative lack of PVOD content during COVID-19 at a time when much of the country was looking for any entertainment option in their home demonstrates that studios don't see a big market for PVOD. Strong box office numbers for Warner Bros Films release day and date to theaters and HBO Max without up-charge also bear this out. While streaming services need content, it's hard to make the math work for PVOD or direct to SVOD without a theatrical release for major motion picture. Additionally, major exhibitors continue their negotiations with the studios on the length of the exclusive theatrical window. It appears to be coalescing around 45 days down from the prior 90 days. From our perspective, there are positives. Historically, over 90% of ticket sales occurred in the first 45 days. So economically, the shift in the window is not that material with the reduced window and the need for studios, content providers and exhibitors to continue experimentation. We could see content from Netflix, Amazon and Apple shown theatrically before being moved to streaming services. Just this week, Cinemark and Marcus both announced announcement -- of both announced agreements with Netflix to show Army of the Dead in theaters for one week, starting on May 14 before it's available on Netflix on May 21. This follows Cinemark and Netflix is partnering to show Ma Rainey's Black Bottom, The Midnight Sky and the Christmas Chronicles too theatrically. The consumers desire to return to see movies on the big screen is reflected in the surprisingly strong performance of King Kong Vs Godzilla, Mortal Kombat and Demon Slayer. When theaters were allowed to reopen box office records were set in China, Japan, and Australia. Our tenants are coming up with new and better ways to enhance the customer experience from touchless ticketing and concession ordering to private screenings. Going to the movies still remains a remarkable value for an out-of-home consumer experience. Turning now to our other major customer groups. Approximately 96% of our non-theater operators are open. Our seasonal businesses are closed in the normal course. With increases in vaccinations and the fast approach of summer, we see continued strong performance in our drive to, value oriented destinations. We are pleased with the results from the ski season. People demonstrated they still want to ski particularly and drive to destinations. Across the portfolio attendance was in line with three year averages and revenues were down only slightly reflecting restrictions on food and beverage in many locations. We continue to see strong performance across eat and play. All of our Topgolf locations including our recently acquired San Jose location are open. All four of our Andretti Karting locations are open. And we're delighted that our fifth in Buford, Georgia will open in May. All of our gyms are open and attendance continues to increase. We are seeing very strong pent-up demand across our attractions and cultural holdings. We expect this trend to continue throughout the summer as vaccinations increase and restrictions are lifted. The City Museum, Santa Monica Pier, and our Titanic museums are open. We expect all of our amusement parks and water parks to open in 2021. Seven are currently open, 5 have confirmed May opening dates and we're awaiting dates for the final 2, subject to state restrictions in California and Washington. We are likewise seeing strong demand in our experiential lodging portfolio and expect the trend will continue throughout the summer as well. Except for the Cartwright Resort and indoor water park in the Catskills. And the Bellwether Beach resort on St. Beach, all of our experiential lodging assets are open. Park right remain subject to New York State phased reopening plans for water parks. And we are working toward an opening in the summer of 2021. We are completing a substantial renovation to the bellwether and it will fully reopen by mid June. Resorts World Catskills is open. All of our early childhood education centers are open and we are seeing a steady increase in demand monthly as COVID restrictions ease and parents returned to work. All of our private schools are open, utilizing a combination of in-person online and hybrid instruction models. Our primary capital recycling activity has been in the theater category. In Q1, we sold one theater property and a vacant non-theater building for net proceeds of $13.7 million. We're very pleased with our progress in disposing vacant theaters. Since Q3 2020, we have sold three theaters. And as I mentioned earlier, we've executed contracts for another six. In Q4, we terminated all seven of our AMC transition leases and took back the properties. We're operating one. In Q4, we sold one for an industrial use. We have an executed contracts for the remaining five. We also have a former CMX theater, which was rejected in bankruptcy under contract. These six projected sales are for industrial, multifamily, office, and theater reuse. And we anticipate closing on all six sales throughout 2021 and into 2022. Finally, I want to update you on the status of our cash collections and deferral agreements. Throughout the COVID-19 pandemic, our number one priority was to work proactively and diligently with our customers to structure appropriate deferral and repayment agreements. We tailored each deal to give them the right amount of breathing room to reopen efficiently, and help ensure their long-term health, all while protecting and improving our position in rights as landlord, we wanted to and have helped them through a period where they had significantly reduced or no cash flow, allowing them to ramp back to a stabilized cash flow. Our agreements are generally structured with rent and mortgage payments, including deferred amounts, financing and ramping up through 2021 and in some cases after 2021. Cash collections continue to improve in conjunction with reopenings. Tenants and borrowers paid 72% of contractual cash revenue for the first quarter, and 77% in April. We're seeing results from these efforts. And I want to share two examples of this win-win approach. First, as noted earlier in my remarks, we are delighted to have acquired the brand new Topgolf San Jose, which opened on April 16, using a portion of their deferred rent as currency. San Jose is topped off second location in California. It's an outstanding location in a compelling DMA. The transaction reflects our long and valued partnership with Topgolf and our creative approach throughout the pandemic, to work with our tenants to address difficult issues. Second, as noted the ski season was strong early in the pandemic before anyone knew what the ski season would look like. We worked with Camelback to ensure they had sufficient cash to weather what we all feared could be a rough winter. Because ski season was strong in April, Camelback repaid its entire deferred balance six months early. Again, this demonstrates our commitment to taking the long view of our customer's ability to perform informed by the underlying strength of our underwriting and real estate. Finally, customers representing substantially all of our contractual cash revenue, which includes each of our Top 20 customers are either paying their contract rent or interest or have a deferral agreement in place. And those deferral agreements, we have granted approximately 5% of permanent rent and interest payment reductions. Mark will provide additional color on the revenue recognition and cash collection implications for the second quarter of 2021. I now turn it over to him for a discussion of the financials.